N x NE
Jose Ayerve and the Coaxial Festival
by Tanya Whiton
The First Annual Coaxial Music Festival runs
August 24 through 27 at the
Skinny, (207) 871-8983.
Jose Ayerve, musician, producer, and all-around
fixture in Portland's little-pop-scene-that-could, picked up and left our fair
city last June, looking to satiate his indie-pop cravings in historic Northampton, Massachusetts, the
birthplace of indie icons the Pixies, Dinosaur Jr., and Sebadoh, and current
home to Sonic Youth. The chance to run into Kim Gordon at the grocery store
aside, the bilingual Ayerve also wanted to be closer to the rest of his band,
Spouse, and to find work as a translator.
But he's hooked on Portland, too. Since his move, he's filled in with local pop
outfit Tin Tin's Rocket, and he continues to lend guitar and backing vocals to
the straight-up rock of Bully Pulpit. Ayerve also produced Tin Tin's
self-titled first release, and is currently producing Bully Pulpit's debut
effort, as well as fellow Spouseketeer Michael Merenda's new album. And this
weekend he's paying what he hopes will be a regular visit to his old stomping
grounds, with upwards of 15 Northampton bands in tow, for the First Annual
Coaxial Festival at the Skinny, with some of Portland's finest adding up to
about 28 bands in all.
Explaining his partial exodus, Ayerve says, "The history of music is different
in Northampton. It's embedded in the '80s. And there are a lot of bands from
that area that have been better received on a wider scale." Ultimately, Ayerve
felt there weren't enough bands around town mining the spangly, smart-pop vein
to complement Spouse's "drenched in mid-to-late '80s Replacements-and-Pixies
era" sound.
It's true, Ayerve does sound a lot like Paul Westerberg, but with a twist.
Spouse's fresh-off-the-press first album, Nozomi, sports the moody,
quirky vocals and guitar-centric pop rhythms of his heroes. But the
multi-talented, multi-cultural background of Ayerve and the other members of
Spouse -- Dan Pollard, Michael Merenda Jr., Naomi Harnby, and Liz Bustamente --
lend a non-Western texture to the album that makes it unique.
"Pop," says Ayerve. "I love the word pop -- contagious, catchy. I studied a
little bit of classical music and I couldn't understand how there was such a
set structure. It was the antithesis of what I wanted to hear."
But isn't pop the most formulaic of musical genres next to, say, New Country?
Yes and no, but definitely not the way Spouse play it. The line of separation
between radio-ready pop -- exemplified these days by the boy-band invasion --
and the indie-variety, though harder and harder to separate, is still intact in
Northampton. "The whole reasoning behind Spouse is to create varied songs,"
Ayerve explains. The catchiest numbers off Nozomi -- "Androgynous,"
"Telephrenic," and Michael Merenda's disaffected musing, "Drag Queen" -- are
the kinds of hook-laden constructions that draw listeners in for Spouse's more
esoteric, experimental, and slow-moving songs.
"Still, we keep it under three minutes," says Ayerve. "You know, people have
things to do."
Even the enigmatically simple Spouse song "Ni Una Sola Vez," is able to grab
the listener with a hook. As Bully Pulpit's Doug Cowan puts it, "I'm not sure
what it is, but it's got one." His admiration for Ayerve's aesthetic is
evident. "José joined [Bully Pulpit] as second guitar player, keyboard
player, noise-maker. Whatever he wants to do. I trust him."
Ayerve is asking Portlanders to trust his aesthetic as well with the ambitious
Coaxial Festival. The rock extravaganza, hosted and co-coordinated with Johnny
Lomba at the Skinny, begins Thursday evening with newcomers Ultimate Fake Book,
Hot Rod Circuit, and Extendo-Ride All Stars -- a Ween-esque gang of youngsters
with a reputation for great live shows. Later on that night, the
spoken-word/music ensemble Chiaso will perform with psychedelic popsters Aloha
Steamtrain.
Friday night will include locals Tin Tin's Rocket followed by Claudia Malibu,
and Kahoots.
Saturday's installment begins at noon with sets from a variety of pop/rock
stylists: Ostrich Farm, Satellite Lot, the Figments, and others. And Saturday
night, Spouse play with Peepshow, Bully Pulpit, and a countrified, eclectic
outfit calling themselves the Drunk Stuntmen.
Finally, on Sunday, hardcore-demon-turned-angst-filled-crooner Mark Schwaber
will perform with his band Hospital! sporting a melodic combination of cello,
guitar, bass, and drums, followed by D'mericans, String-builders, and rustic,
twangy local act Sleepy Bo'weevil.
"I think Portland could gain from an influx of Northampton bands, and vice
versa. Mix it up," he says. He and Lomba intend for the First Annual Coaxial
Festival to lead, obviously, to the Second Annual Coaxial Festival, and Ayerve,
hankering for a regular dose, plans on hosting a similar event in Northampton
in the spring featuring a clutch of Portland acts.
Ayerve and Lomba have a simple philosophy for the First Annual Coaxial
Festival: the more music, the better. As Lomba says, while juggling phone calls
and riffling through press releases in the Skinny's chaotic upstairs office;
"The ultimate goal is to work towards something that's just a real big damn
deal."