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**1/2 Thinking Fellers Union Local 282

BOB DINNERS PRESENTS

(Communion)

Along with pals Sun City Girls and fellow Bay Area noise heroes the Caroliner, arch San Francisco experimentalists TFUL282 have a knack for spiking their Euclidean exercises in pop disfigurement with a dose of perverse lyrical humor, à la Captain Beefheart. Hard to describe, the Fellers’ style is a mish-mash of Sonic Youthian dissonance, tape loops, found sounds, and crazed vocals from multi-instrumentalists Brian Hageman and Mark Davies.

Before the band maxed out, in 1996, from years of exhaustive touring, they’d taken their art-fractured rock to the outer limits and back (most notably on a trio of Matador releases), even flirting with semi-accessible hooks on I Hope It Lands (Communion, 1995). And not much has changed in the musical universe of Bob Dinners Presents. Engineered and co-produced by long-time collaborator Greg Freeman, the disc moves in metrical fits and starts, adopting a cut-and-paste approach that undermines ambitious but schizoid tracks like “Sno Cone” and “Holy Spirit.” More cohesive, but still odd, are “You in a Movie,” with its infectious insectoid groove, and “The Barker,” a blender of grinding guitars that sends up rock-poseur emoting.

Given that TFUL cobble together ideas from their free-improv rehearsals and suture them into asymmetrical units, a little unevenness is to be expected. But instances of dark melodic tension (“Everything’s Impossible,” “El Cerrito”) and one melancholic pop tune (“ ’91 Dodge Van”) notwithstanding, Bob Dinners feels a little too randomly spliced, even for these musically accomplished art-school cut-ups.

— Damon Smith