**** Cesaria Évora
SĂO VICENTE
(Windham Hill)
Cesaria Évora’s last album, the Grammy-award-nominated 1999 release Café Atlántico,
was a powerful display of her command of soulful Cape Verdean song forms — notably the
melancholy morna and playful coladeira. But it broke no new ground for the
60-year old singer. Here the “barefoot diva” duets with Brazilian superstar Caetano Veloso,
engages in romantic Portuguese call-and-response with Bonnie Raitt, and eases into an elegant
Cuban mode backed by the classy dance band Orquesta Aragón. Cuban jazz pianist Chucho Valdés
also makes an appearance, and the disc bene ts from tasteful strings that add lush grandeur
to Évora’s folksy sound without denaturing it.
After years of success, Évora can call on the best composers in her genre, and the result is
one intricate, memorable melody after another. “Fada” plays like a cross between the friendliest
of Brazilian pop and a gospel choir in full celebration with a hook that won’t let go. Évora’s
relaxed, smoky delivery is as strong and winning as it’s ever been. And for once in the
much-tampered-with realm of high-level world-music singers, a team of producers, guest
artists, composers, and the singer’s own band have worked together to produce something
coherent and consistently great — Săo Vicente is the finest Évora release to date.
— Banning Eyre
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