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Ever since that movie was filmed in Waterville, there’s been a rumor going around about the Maine International Film Festival and its host city. Luckily though, Ken Eisen, this year’s programmer and MIFF co-creator, doesn’t believe a word of it. Waterville’s infamous 2003 tryst with Hollywood during the filming of Empire Falls, coupled with the recent international success of Eisen-owned Shadow Distribution’s film The Wild Parrots of Telegraph Hill, has people wondering if Waterville and MIFF are next to be consumed by the deceptively glitzy Hollywood find-a-small-town-and-make-it-famous-machine (Remember Sundance? It hasn’t always been a television channel). Top it off with a handful of participating Hollywood luminaries like MIFF advisory board member Ed Harris, and this year’s guest of honor Lilly Taylor (of Mystic Pizza and Six Feet Under fame), and there seems to be enough evidence to confirm the city’s future destruction via an annual Hollywood-style film-festival flogging. Eisen, however, couldn’t disagree more. "I don’t think Hollywood really has a jones for us. We keep things low-key. We only want to be who we are . . . a small festival that truly focuses on good films and supports the community that helped us get to that point. The Sundance Syndrome just won’t happen. We won’t let it." That’s good news for Waterville, a traditionally close-knit community that has managed to withstand the movement of time. It’s a place where homecoming games still ignite a collective surge of pride and the construction of a Wal-Mart Superstore is cause for heated debate over even-hotter coffee at Jorgensen’s Café downtown. Up until a handful of years ago, Colby College was considered the sole intellectual outpost for a city that had little interest in losing its anachronistic wholesomeness. Lately though, an updated persona has begun to emerge and the Film Festival has everything to do with it. MIFF’s growing presence has brought folks from all over the world to Waterville’s doorstep, introducing a host of cultural experiences that have combined to invigorate the town. From an array of new restaurants like the deliciously incongruous southern soul food joint the Freedom Café, to a multi-million dollar downtown- riverside revitalization project, MIFF’s buoyant effects are visible everywhere. However, the boost is tempered by a mission to keep the festival small and community-driven. "By including [the city] in all that we do, the festival has become part of Waterville’s culture," says Shannon Haines, MIFF’s event director for the past three years. "For example, we’re hosting all our reception dinners at local restaurants. We refuse to raise the price of our tickets, in an attempt to keep it accessible to everyone. We’re focused on embracing and preserving the community and by doing so the community has embraced us. We’ll do anything to protect that relationship." MIFF’s allegiance to local integrity extends to the carefully selected films that are shown each season. This year is no exception. "In fact," says Eisen, "some of the finest documentaries we considered were generated by Maine filmmakers." He encourages everyone to attend at least one of these homegrown films, noting, "There’s a huge art movement happening [in Maine]. Really good stuff. People will be inspired by what their neighbors are capable of." So take mom’s advice: Ignore the gossip and go make friends with the new kid who lives up the road. Make your way north July 15 through 24 to support MIFF. The films are smart (and free of the stench of corporate soullessness), you’ll be helping the festival pave the road for aspiring Maine filmmakers, and you’ll experience a quirky gem of a town . . . all for only eight bucks per flick. Kirah Brouillette can be reached at kirah_b@hotmail.com
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Issue Date: July 15 - 21, 2005 Back to the Movies table of contents |
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